Marnik walks us through the Bass sound in 'Up and Down' showing his thought process behind the creation and processing of the sound. Taking us through a two-pronged approach, Marnik discusses the various effects he applied to the individual bass sounds layered within the song as well as bus processing he applied to the group allowing for a more robust and cohesive end product to the sound. Producers of all genres can implement the bass processing methods discussed by Marnik to bring more interesting bass sounds into their production.

Building off his earlier look into Butterfly, Marnik discusses more meta level topics in regards to the general structure and arrangement of Eurobounce sound. Specifically, Marnik delves into the distinct sections of the song, what makes each special, and how to effectively transition in between the different parts. Producers can apply the arrangement tips Marnik provides to a multitude of different styles and genres.

Taking a look into his song 'Up and Down', Marnik shows how he creates the classic toy piano sound heard throughout the song. He systematically takes us through the steps of initially making the piano sound, then breaks down the effects chain used to turn a regular piano into one that has character. Producers can experiment with the tips Marnik offers to turn a whole variety of instruments and synths into more vintage and interesting sounds.

Looking deeper into 'Up and Down', Marnik examines his choice of samples and how to specifically curate a selection of cohesive samples for Eurobounce music. Marnik goes through his choice of instrumentation samples as well as drum samples and how to process them accordingly. Producers interested in Eurobounce can find this of great use in getting started with the genre and producers of any genre can find helpful information here in terms of crafting a cohesive sound palette for any genre of their choosing. 

In this video, Marnik explores different techniques producers can use to spice up their production and get out of any writer’s block. Going over a multitude of arrangement, production, and mixing concepts, Marnik shows how practical the applications of the techniques he covers can help producers bring more interesting and dynamic components to their production. For producers in any genre, the tips Marnik offers can help bring their production to the next level.